Then, he can be just as proud of her success as she is and, inside he can take a bow himself for whatever help he's been. [I] really didn't think marriage and the stage were compatible but we loved each other and we were both determined to make our marriage work. There are plenty of bad editions out there; this is from an excellent source. [45] "I never admired a comedienne," she said retrospectively, "yet it was very easy for me, very natural. [66] Dunne had concerns about Whale's directing decisions,[67] but she later admitted that her favorite scene to film was "Make Believe" with Allan Jones because the blocking reminded her of Romeo and Juliet. "[202] Due to Dunne's privacy,[Note 12] Hollywood columnists struggled to find scandals to write about her—an eventual interview with Photoplay included the disclaimer, "I can guarantee no juicy bits of intimate gossip. [69][250], Dunne later said, "Cary Grant always said that I had the best timing of anybody he ever worked with. [24] Dunne's mother taught her to play the piano as a very small girl—according to Dunne, "Music was as natural as breathing in our house,"[20]—but unfortunately for her, music lessons frequently prevented her from playing with the neighborhood kids. Well, you have to watch the movie unfold to see whether they stay together or split. [9][129][130] Years before, Dunne had also christened the SS Carole Lombard. It is the prize we get when we choose wisely from life's great stores. "[71] Lucille Ball admitted at an American Film Institute seminar that she based her comedic skills on Dunne's performance in Joy of Living. [282], Decca Records released Dunne's only album, titled Irene Dunne in Songs from the Pen of Jerome Kern,[Note 16] which contained recordings of six show tunes composed by Jerome Kern. [168] She accepted the U.N. delegacy offer because she viewed the U.N. as apolitical. [Note 8], In her retirement, she devoted herself primarily to humanitarianism. You'll end up empty-handed if you do. [196] They remained friends and continued writing letters until Ernst died in 1959. [203] A family friend described their dynamic as "like two pixies together,"[176] and they remained married until Griffin's death on October 14, 1965,[204][205] living in the Holmby Hills in a "kind of French Chateau"[206] they designed. "[249], Charles Boyer, "IRENE as Seen by Charles Boyer", Photoplay, 1939, p. 24, The Los Angeles Times referred to Dunne's publicity in their obituary as trailblazing, noting her as one of the first actors to become a freelancer in Hollywood during its rigid studio system through her "non-exclusive contract that gave her the right to make films at other studios and to decide who should direct them,"[69] and her involvement with the United Nations as a decision that allowed entertainers from movies and television to branch out into philanthropy and politics, such as Ronald Reagan and George Murphy. ]"[157], In 1957, President Eisenhower appointed Dunne one of five alternative U.S. delegates to the United Nations in recognition of her interest in international affairs and Roman Catholic and Republican causes. [3] She received numerous honorary doctorates,[257] including from Chicago Musical College (for music),[258] Loyola University and Mount St. Mary's College (both for Law). "[194][195], Between 1919 and 1922, Dunne was close to Fritz Ernst, a businessman based in Chicago who was 20 years older than she, and a member of one of the richest families in Madison, Indiana. Her first production was in Louisville when she appeared in "A Midsummer Night's Dream" at … [252] Charles Boyer described her as "a gracious house,"[253] adding, "the best room would be the music room [...] Great music, and the best of good swing, and things by Gershwin would sound there always. "[12] John Cromwell, however, reportedly described her as "always [having] the look of a cat who had swallowed the canary. [111][112] Dunne was excited to portray Queen Victoria in The Mudlark (1950)[113] for a chance to "hide" behind a role with heavy makeup and latex prosthetics. [118][119] She also starred in and hosted episodes of television anthologies, such as Ford Theatre, General Electric Theater, and the Schlitz Playhouse of Stars. [73] Their screwball comedy My Favorite Wife (1940)[74] was praised as an excellent spiritual successor,[75][76] whereas Penny Serenade (1941)[77] was a "romantic comedy that frequently embraced melodrama. We co-operate in everything. [169][170] She later explained: "I'm a Nixon Republican, not a Goldwater one. "[239][240], Although known for her comedic roles, Dunne admitted that she never saw comedy as a worthy genre, even leaving the country to the London premiere of Show Boat[243] with her husband and James Whale to get away from being confronted with a script for Theodora Goes Wild. [173] Dunne's favorite family vacations were riverboat rides and parades, later recalling a voyage from St. Louis to New Orleans,[174] and watching boats on the Ohio River from the hillside. [12] Her first school production of A Midsummer Night's Dream began her interest in drama,[25] so she took singing lessons as well, and sang in local churches and high school plays before her graduation in 1916. [223] She was a member of the Church of the Good Shepherd and the Catholic Motion Picture Guild in Beverly Hills, California. She's just not the casual sex type, so she gets away with it. [...] Then Ziegfeld signed her for Show Boat and it looked like she was due for big things. They should not lean on their husbands' opinions and be merely echoes of the men of the family[. "[55] Other dramas included Back Street (1932)[56] and No Other Woman (1933);[57] for Magnificent Obsession (1935),[58] she reportedly studied Braille and focused on her posture with blind consultant Ruby Fruth. [50] Already in her 30s when she made her first film, she would be in competition with younger actresses for roles, and found it advantageous to evade questions that would reveal her age, so publicists encouraged the belief that she was born in 1901 or 1904;[5][51] the former is the date engraved on her tombstone. When I had to go out of town she arranged her schedule so she could be with me. [117] She filmed a television pilot based on Cheaper by the Dozen that was not picked up. "[248] On the blatant eroticism of the same train scene, Megan McGurk wrote, "The only thing that allowed this film to pass the censors was that good-girl Irene Dunne can have a one-night stand with a random because she loves him, rather than just a once-off fling. There was always a lot of Theodora in me. [224] In 1953, Pope Pius XII[225] awarded Dunne and her husband papal knighthoods as Dame[Note 14] and Knight of the Holy Sepulchre, respectively. It's no surprise that many romance movies have love in the name, but this list ranks the best movies with love in the title, regardless of genre or rating. [I] couldn't run around with an ax in my hand like Bette [Davis] and Joan [Crawford] did to keep things going. [30][31], Dunne took more singing lessons and then dancing lessons to prepare for a possible career in musical theater. [61][62][63] The remake of Sweet Adeline (1934)[64] and Roberta (1935)[65] were Dunne's first two musicals since Leathernecking; Roberta also starred dancing partners Fred Astaire and Ginger Rogers, and she sang "Smoke Gets in Your Eyes" in the musical. [68] It was during this year that Dunne's RKO contract had expired and she had decided to become a freelance actor,[5] with the power to choose studios and directors. [183] School friends nicknamed her "Dunnie"[25] and she was referred to as this in Madison High School's 1916 yearbook, along with the description "divinely tall and most divinely fair. "[71] She ascribed her sense of humor to her late father,[185] as well as her "Irish stubbornness. [191] McCall's magazine later revealed Dunne chose outfits specifically designed for her by Mainbocher and Jean Louis because she did not like buying clothes in stores.

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